Gemeinsam mit Lukas Pokorny hat Franz Winter ein special issue des renommierten Journals NUMEN. Journal for the History of Religions herausgegeben, das sich unter dem Titel "Euro-American Esoteric Readings of East Asia" mit Aspekten der Rezeption Chinas in der europäischen Neuzeit auseinandersetzt.

Das issue ist bereits online einsehbar. Der Artikel von Franz Winter beschäftigt sich mit der Chinarezeption bei einem bedeutenden französischen Okkultisten des ausgehenden 19. Jh.

The topic of "prophecy" is significant for the Jewish and Christian Bible and the Qur'an in different ways. This volume brings together contributions from a historical and reception-historical perspective, on the one hand tracing the times and spaces from the ancient Near East to late antiquity, and on the other hand concentrating on prophetic figures. Both passages reveal how the phenomenon of prophecy can be grasped historically and textually, how existing traditions were used and how they were transformed in reception. The book concludes with an updated look at the practice of communicating prophetic texts.

Author's portrait

Prof. Dr. Marie-Theres Wacker teaches Old Testament and Women's Theology at the University of Münster.
Prof. Dr. Ulrike Bechmann taught religious studies at the University of Graz.
Prof. Dr. Gerhard Langer teaches Jewish Studies at the University of Vienna.

Published by: Kohlhammer Verlag 2023. 301 pages, paperback, 232mm x 155mm x 15mm

Series: Beiträge zur Wissenschaft vom Alten und Neuen Testament (BWANT), Volume 237

ISBN 978-3-17-042456-2

Media industry is a vibrant element of East Asian popular culture that has become increasingly important on a global level in the last decades. Japanese, and recently South Korean and Chinese films or TV series have a growing and worldwide audience not least because of easier access through streaming services. The many film productions provide a multifaceted arena of highly diverse content that spans nearly all aspects of the cultural developments in the countries. Religion has always played a major role in these contexts in various ways and in accordance with the highly diversified religious landscape of East Asia. Consequently, this issue brings together contributions on Japanese, Chinese and Korean films, including one additional glimpse to South Asia, presenting portrayals of independent filmmakers, highly renowned classics, but also examples of manga and anime, the cyberpunk genre, or on most recent highly successful streaming series. The admittedly small sample we can provide is intended to pique curiosity and encourage readers to delve more deeply into the multifaceted and intriguing relationship between religion and media in Asia. If the presented contributions inspire academic discussions and further research, then this issue will have served its purpose.

Information about the work can be found you here.